ART & ART RESTORATION – ESPECIALLY FOR YOU!

Hello and thanks for stopping by our home. Our aim is to offer all visitors interested in fine art and its restoration current topical and hopefully interesting commentary concerning art and it's considered restoration. My associates and I, will be working hard behind the scenes to bring you topical and informative writings covering all aspects of our part of the Art World.

WE ARE HERE TO HELP YOU SO ASK AWAY!

One of the founding principals of this place was that we should as much as spare time will allow, provide information and commentary that is responsive to the needs of our community. So we are here to respond and share our knowledge and if there is something you cannot see here and wish you could, then please! ask away. We will help if we can.

THE ‘ART’ OF FINE ART RESTORATION.

Despite our combined experience totalling in excess of 65 years, we never cease to be surprised at what challenges individual works continue to throw at us. It is perhaps because we are thankful at having gained the experience over the years that all of us here at Elizabeth McClory & associates, continue to totally love and enjoy each and every day of our work - well it's not really work to us because we enjoy it so much.
  1. Items break, get damaged, properties change or decay with the passing of time.
  2. Family history, emotional connections and attachments make the item important:Inherited items may have been stored, transported, defaced or even disliked but, alternatively, may have been loved, cared for and treasured by the previous owner.
    The identification with family i.e. genealogy: memories: likenesses: time lines in the lineage of a generation etc can become increasingly important, especially after a recent bereavement.
  3. Paintings may have been acquired to fit in with decor or to fill a functional space. 

Whatever the reason for seeking restoration of a painting, the uniqueness of each is apparent.

ARTIST’S DISTINCTIVE STYLE AND APPROACH

  • Selection of media – oil, water-colour, pastel, acrylic etc.
  • Support – paper, canvas, board etc.
  • Application of paint – select or experimental style, decided palette or accidental process of colours.
  • Construct – e.g. geometric design: working in warm or cool tones.
  • Relationship - between artist, sitter, object, landscape, sources of light etc.

EVOLUTION OF THE PAINTING

Many times energy from the painting resonates from the work and maybe that is why its impact touches the viewer, or not. That is the introduction to the restorer. Read More→

Categories : Restoration
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There are various terminologies for describing an artist’s work :- basically:-

  • If the full name is used the picture is probably the original worth of the named artist e.g. Fredrick William Ewell.
  • If the surname only then the work is probably of a school or dedicated follower of the artist.
  • ‘Manner of’ usually means work painted in the style of.
  • ‘After’ is probably a copy of the Artists work.

Before buying a picture you must inspect the work or preferably seek a professional expert opinion and advice on condition and value.

Fine art can be purchased from three different sources. 

  • Dealer/Gallery — this is probably the most reliable way to purchase as dealers/galleries have their reputations at stake and are there for the future business. Although the most reliable way when buying can be the most expensive at it retail price.
  • Private Purchase — a collector wishes to sell on a picture for various reason, upgrading, changing style etc. but the caveat here again is to seek professional advise upon quality and price.
  • Purchasing at auction — There are many very reputable auction houses through the U.K. and this is the wholesale source of the work offline art for dealers/galleries. Anyone can attend an auction and bid, but you are competing to purchase against professionals.

Auction houses do try to describe the work of art to the best of their ability, but when buying anything at auction the caveat ‘buyer beware’ is important.

Most auction bid by number collected on the auction day. When you want to start bidding hold up your number so the auctioneer knows hen you are interested. Once he’s accepted your bid put your number down. Only then will a nod of your head or hand keep you in the bidding. A simple of your head or say no will take you out. Read More→

Categories : Advice & Guidance
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Events-Upcoming & Archived

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ARTISTS – THEIR WORK AND THEIR HISTORY

We are in the early stages of building a comprehensive on-line searchable database of works and the artistic talent behind them.

Not just a staid historical snapshot but also featuring up and coming artists and their increasingly collectable works. Our experts will be commenting on specific aspects of their work.

At this time we have made no firm decisions concerning specific content and what will be publicly searchable and what might be reserved specifically for inner circle members.